(Drama) Henry Chinaski (Dillon) considers himself a writer, and on occasion writes. Mostly he quests for the booze and women that sidetrack and seduce, rather than inspire greatness. When he falls for Jan (Lili Taylor), the soulful connection fails to

Matt Dillon lumbers through Factotum like a side of beef just starting to rot, lifting his chin in quiet, semi-comic reflections on the domestic squalor of a booze-ridden life. His slow, thick performance--as if he had something more viscous than blood running through his veins--has a weary gravitas that veers from wry resignation to bursts of violence that he regrets even as he's committing them. As Henry Chinaski (an alter ego of author Charles Bukowski), Dillon idly skips from job to job, seeking one that will allow him to continue his two pursuits: Writing and drinking. He gets enmeshed with one woman (Lili Taylor, I Shot Andy Warhol) and dallies with another (Marisa Tomei, In the Bedroom), but his only true love is the bottle. Despite this bleak storyline, Factotum proceeds with an almost lighthearted pace, each spare scene delivered with a dry, almost wistful tone of regret and flashes of gallows humor. Director Bent Hamer (Kitchen Stories) is from Norway and has a similar aesthetic to Finnish auteur Aki Kaurismaki (The Man Without a Past); sly slices-of-life that deliver bad news with a gentle, forgiving touch. --Bret Fetzer

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